Bill Laswell Wikipedia. Bill Laswell. Background information. Born1. 95. 5 0. February 1. Salem, Illinois, U. S. Genres. Avant garde, art rock, ambient, dub, electronica, experimental, punk jazz, industrial hip hop. OccupationsMusician, producer, arranger. Instruments. Bass guitar, guitar, keyboards. Associated acts. Method Of Defiance, The Golden Palominos, Praxis, Massacre, Material, Buckethead, Painkiller, Ashes, Tabla Beat Science, Iggy Pop, Herbie Hancock, Public Image Ltd. Bill Laswell born February 1. Salem, Illinois, and raised in Albion, Michigan is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswells music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal. According to music critic Chris Brazier, Laswells pet concept is collision music which involves bringing together musicians from wildly divergent but complementary spheres and seeing what comes out. The credo of one record label run by Laswell, and which typifies much of his work, is Nothing Is True, Everything Is Permitted. Though projects arranged by Laswell may be credited under the same name and often feature the same roster of musicians, the styles and themes explored on different albums can vary dramatically Material began as a noisy dance music project, but subsequent releases have been centered on hip hop, jazz, or backing spoken word readings by beat generation icon William S. Burroughs. Similarly, most versions of Praxis have featured guitarist Buckethead, but have explored different permutations with each new album. Cymatics.png' alt='Cymatic Software Free Download' title='Cymatic Software Free Download' />Though some artists have chafed against Laswells distinctive recording and production style most noticeably some of his for hire production gigs including Motrhead, Swans and White Zombie many other collaborations, such as with pianist Herbie Hancock and singer Iggy Pop have been lengthier and recurring. BeginningseditLaswell got his earliest professional experience as a bassist with funk groups in and around Detroit and Ann Arbor, Michigan. He often would see shows in Detroit that put together acts such as Iggy and the Stooges he would work with Pop throughout his career starting in the mid 1. MC5 and Funkadelic many of whose members are part of his stable of musicians. Seeing these differing styles of music in his frequent trips to Detroit, as well as being rooted in the African American music that he grew up immersed in, had an influence on Laswells music. His exposure to jazz musicians like John Coltrane, Albert Ayler and particularly Miles Davis electric experiments of the mid 1. Move to New YorkeditIn the late 1. Laswell made the move to New York City, immersing himself in the thriving New York scene. He moved into producer Giorgio Gomelskys loft and became part of a group of musicians that would eventually become the first and only even remotely consistent incarnation of Material. Aside from Laswells first known recording on one side of a Michael Blaise and Cheater 7 called Scoring Power in 1. Laswell and Material became the backing band for Daevid Allen and New York Gong, appearing on some recordings and embarking on a small tour. Introduction. Please note that most of these Brand Names are registered Trade Marks, Company Names or otherwise controlled and their inclusion in this index is. With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature. At ACIDplanet. com you can create, upload, and listen to music from artists around the world. ACIDplanet. com is a forum for aspiring new artists to showcase or remix. Material, primarily consisting of Laswell, keyboardist Michael Beinhorn and drummer Fred Maher, also cut a number of 1. Red Records and others. They were usually supplemented by guitarists, notably either Cliff Cultreri and occasionally Robert Quine. Living in the East Village also put Laswell at the center of a group of musicians both up and coming such as John Zorn and established, such as Fred Frith and Brian Eno. His persistence in asking Eno to work with him paid off in the form of contributions to Eno and David Byrnes album My Life in the Bush of Ghosts as well as Enos own On Land. Brian Eno also contributed a song to the Material album, One Down. Celluloid RecordseditWithin a few years of moving to New York, Laswell founded a recording studio with producerengineer Martin Bisi of later indie rock renown and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker now also a production unit consisting of Laswell and Beinhorn Maher being long gone and by 1. Laswell Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1. During this time in the early to mid 1. SIMATIC_STEP7.jpg' alt='Cymatic Software Free Download' title='Cymatic Software Free Download' />Search metadata Search full text of books Search TV captions Search archived web sites Advanced Search. Jo hn Bedini, Noted Free Energy Researcher, Died Unexpectedly on Saturday, Nov. Only 4 Hours After His Brother Gary Had Died Nov. Download the free trial version below to get started. Doubleclick the downloaded file to install the software. Buy the Tascam CDA580 Rackmount Cassette to MP3 Combo Recorder with Unbalanced RCA at Full Compass. The CDA580 from TASCAM is a CassetteCDUSB Player recorder. Price 374. 99httpswww. USBAudioInterfaces hIDSERP,5125. USB Audio Interfaces SweetwaterOnly at Sweetwater 0 Financing, FREE Shipping, and FREE Tech Support for USB Audio InterfacesLaswell was able to record some of his Material excursions which ran the gamut from experimental jazzfunk to pop and R B, featuring everyone from avant jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston as well as projects such as Massacre, with Fred Frith and Fred Maher. His association with Celluloid allowed some of his first forays into this so called collision music the term was coined for Laswell by the British writer Chris May, then editor of Black Music Jazz Review and later a Celluloid staff member and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 1. Hip Hop, becoming a precursor to the popularity the form enjoyed starting in the mid 1. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 1. World Destruction which paired Pi. Ls. John Lydon with Afrika Bambaataa years before the RunD. M. C. Aerosmith collaboration broke down the rockhip hop barrier. Laswells solo debut, Baselines. Also recording a Laswell helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi retirement, giving the drummers career a new boost. He likewise brought Sonny Sharrock out of semi retirement and produced some of the guitarists most acclaimed recordings, starting with the solo LP Guitar. BreakthrougheditLaswells artistic and commercial breakthrough came via Herbie Hancocks Future Shock album 1. Laswell produced the album, played bass on all the songs, and co wrote most of the material. The collaboration has led to three other albums by Herbie Hancock, as well as numerous Hancock appearances on Laswell productions through the early 2. Post Celluloid 1. The remainder of the 1. Laswell produce albums for people like Sly and Robbie whom Laswell continues to work with Mick Jagger, Pi. L, Motrhead, Ramones, Iggy Pop and Yoko Ono. Many of these projects afforded Laswell the opportunity to bring in some of his normal working crew to record on more mainstream records. Sly and Robbie enlisted him to produce their 1. Language Barrier and 1. Rhythm Killers. 2Laswell has stated in interviews that he met with Miles Davis a number of times and discussed working together, but busy schedules kept them from arranging such a recording before Davis death, though Laswells chief engineer3 reports an unreleased Davis recording session from 1. 3 Faktor Kualitas Software Secara Umum. Last Exit. Laswell and Sonny Sharrock co founded the metal and hardcore punk flavored free jazz supergroup along with drummer Ronald Shannon Jackson and saxophone player Peter Brtzmann. Aside from one album that Laswell cobbled together in studio, the band was primarily a live one. The group showed up at gigs and played wild sets with no rehearsal.